Sleight of hand: the recipient of Film at Lincoln Center’s 51st Chaplin Award has consistently performed a magic trick in ...

Colonialism has always been the subtext of the Argentine filmmaker's work. In her first documentary feature, it is the text ...

The multi-hyphenate star of The Christophers and Mother Mary reflects on what it’s like to do it all It was June 2020, three ...

Old and New Beginnings. The critic revisits his years as a Paris and London correspondent for the magazine. by Jonathan ...

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Ranked according to the time of their last feature film release ...

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In character: the recipient of the 51st Chaplin Award discusses key roles, his approach to his craft, and the vision of the ...

With the flesh-hungry cannibal siblings of Raw (2016) and the murderous, androgynous mechanophile of Titane (2021), filmmaker Julia Ducournau injected fresh blood into New French Extremity. The ...

In an interview conducted when he was making Europa ’51, Roberto Rossellini defined Italian neorealism as “a response to the genuine need to see men for what they are, with humility and without ...

Gone with the Wind Two brothel madams (or as close as Hollywood dared get to them), one a lurid gash of pornographic pink throbbing against William Cameron Menzies’ mourning-black backdrop of charred ...

Americans are the beloved noise-makers, the unschooled and the uncut, appreciated most when at their simplest. Poet Charles Bukowski is the classic case of the American original who found his first ...