Praise like this – not to mention the Baftas she’s won (for Red Road and Fish Tank) – appears to be worn lightly. The woman who sits before me today, in an airy meeting room in central London, doesn’t ...

Add Yahoo as a preferred source to see more of our stories on Google. Like nearly all of Arnold’s previous films, even Cow at a stretch, Bird takes pains to show all the beauty and the bloodshed, to ...

“Is it too real for ya?” blares in the background of Andrea Arnold’s latest film, “Bird,” a 12-year-old Bailey (Nykiya Adams) rides with her shirtless, tattoo-covered dad, Bug (Barry Keoghan), on his ...

All products featured here are independently selected by our editors and writers. If you buy something through links on our site, Mashable may earn an affiliate commission. Credit: Atsushi Nishijima / ...

"What d'you mean you don't care about my dream?" Here's another extra trailer for the sweet little indie film called Bird, the latest feature written and directed by the award-winning filmmaker Andrea ...

Andrea Arnold was last in Cannes with Cow in 2021, a documentary about a bovine’s pitiful existence on a farm from birth to death. Her new film, Bird, might switch animal classifications — and return ...

Mention U.K. filmmaker Andrea Arnold to a film lover and there is a strong likelihood the organ notes that open Rihanna’s “We Found Love” start up in their head. I’m referring, of course, to the ...

A raw fable about looking up instead of feeling down, “Bird” shows writer-director Andrea Arnold back in a familiar milieu of cramped youth on the periphery, making do with what little is available, ...

Andrea Arnold’s initial inspiration for her Cannes competition entry “Bird” was perhaps not what many people might have been expecting. “A very long time ago, I had the image a tall, thin man with a ...

“Is it too real for ya?” blares in the background of Andrea Arnold’s latest film, “Bird,” a 12-year-old Bailey (Nykiya Adams) rides with her shirtless, tattoo-covered dad, Bug (Barry Keoghan), on his ...

Every time I start a film, I feel like I don’t know how to do it,” says Andrea Arnold, hunched over a half-eaten box of salad. This would be a startling enough admission from any filmmaker, but coming ...